Join us for a heartwarming collection of Mother’s Day stories that celebrate the remarkable women who shape our lives. First, author Dennis Petersen takes us back to his childhood in 1950s and 60s Tennessee. You’ll meet his resourceful, crafty mother who masterfully sewed clothes, created intricate quilts, and crafted beautiful macrame items, often to stretch every penny. It’s a vivid snapshot of southern family life and the ingenious ways mothers showed love through their hands and hearts.

Then, Texas author Winter Persepio shares a deeply personal reflection on her own parenting journey. From the quiet ritual of combing her daughter’s curly hair to navigating public interactions, Winter explores the patience, growth, and unconditional love that define motherhood. These heartfelt tributes highlight the quiet strength, resilience, and profound impact of mothers everywhere, revealing the enduring family bonds forged in everyday moments.

📖 Read the Episode Transcript
00:00:10
Speaker 1: And we returned to our American Stories Mother’s Day special. Up next: two stories. The first one you’ll hear is from Dennis Petersen, an author from South Carolina, and the second you’ll hear is from Texas humor columnist Winter Persepio on motherhood. Here’s Dennis with his story on his crafty mother.

00:00:33
Speaker 2: Growing up in the fifties and sixties in the farmlands north of Knoxville, Tennessee, I quickly discovered that my parents were penny-pincers. My father’s income as a brickmason was often dependent on the weather, and rearing three children required thrift. Part of their thrift involved my mother’s sowing many of her own and my sister’s clothes, making quilts, and crafting various items to supplement the family income. Although as a boy I never got hands-on experience with any of those activities, I witnessed them firsthand. I frequented many cloth shops with Mother and was familiar with McCall’s buttery and Simplicity patterns. Only once do I recall Mother creating something that did not look good. During the late sixties, when plaids were the rage, she decided that she would sew my father a sport coat. She found an appropriate pattern and selected a nice gray and brown plaid material. Then she worried with that thing more than with any other garment she’d ever attempted, trying to get all of the lines and checks to match at the seams. Several times, she resorted to a seam-ripper and started all over. Finally satisfied with it, she repeatedly pressed the and the lapels to give them a sharp crease and make them lie flat. It didn’t work. Although thoroughly dissatisfied with the result, she showed it to my father. He tried it on, stood in front of the full-length mirror, examining it, and then declared it a fine-looking sport coat. Mother knew that it wasn’t. I could tell that it wasn’t, and deep inside, I think that Daddy, who knew men’s clothing and wore heartshaftener in mark suits, knew that the plaid sport coat did not meet the standard. But Daddy, always sensitive to Mother’s feelings, never said anything but good things about that hideous sport coat, and he wore it often. Mother never attempted another one. Mother also enjoyed quilting. Whenever I saw Daddy collapsing the dining room table and pushing it into the living room, I knew that he was about to set up the quilting frame and Mother was going to have a quilting bee. She invited her mother and sisters and some of her old high school girlfriends to our home to help her. They sat around the frame and quilted and talked and sipped tea or coffee all day long. After everyone left and our family finished supper, Mother gave my father a guided tour around the frame, pointing out what each person had done. She could tell who had done each section by the size, shape, and tightness of the stitching. Almost a perfectionist, she sometimes sat late into the evening redoing some of the work that didn’t meet her standard. Later in life, Mother became quite skilled at making many different Macroma items, from coin purses and wreath-shaped blouse pins to Christmas tree ornaments and plant hangers, which she sold at craft shows. The empty bedrooms in the old home place became warehouse space for ours, all different shapes, sizes, and colors of Macroma cordage. My wife and I still have some of the red and white macrom candy canes that she made and gave us to hang on our Christmas tree. Sometimes Mother’s fingers hurt from hours spent on her handiwork, but her labors gave her the personal satisfaction of having made something of beauty and utility for someone else. Her efforts helped clothe her and my sister and even my father, and saved money. If she made a little money from some of her efforts, that was good too.

00:04:39
Speaker 1: And a special thanks to Dennis Petersen for that story. And now we turn to Winter Persepio’s story. Winter is an author from Texas, and today she brings us a motherhood moment. Here’s her story, entitled “Curls.”

00:04:57
Speaker 3: It takes a full twenty minutes to call through her cur. I sedate the riot of hair with handfuls of slick conditioner and sit just outside the tub on her yellow footstool, comb me through the long black strands that spring back into ringlets after every pole. I never imagined I’d have patience for this before I had children. When I think back to my life before my daughters arrived, I can’t remember doing anything quite so methodical as smothering. Nothing has ever been as demanding of skills I didn’t possess. I’ve never faced so many moments when I was at the end of my rope where I was driven to shouting at another human being at my own child, only to apologize later, much too late, much too little. The comb catches in the thickness of twists and turns, and I pull her hair slightly. She rarely protests when this happens. Genetics must tie the curly hair gene with the tough scalp one. This genetic combination did not include the gene that extends graciousness with curious strangers. However, her naturally curly hair draws compliments. Everywhere she goes. Strangers come up to her with hands extended, trying to touch the spirals framing her tiny face and black eyes. Only a few get away with it. Most times, she warns them off with a staunch “No touch,” her arms crisscrossing her head in a protective shield. Still, strangers reach for the curls in restaurants, on sidewalks, in doctor’s offices. I’m lucky I can touch them. Every day, we sit in the quiet bathroom. She’s focused on her floating toys; I on untangling, smoothing. I’ve become such a different person since I had children. I’ve become quieter, more careful, more aware of small moments. I’m acutely aware of the chasm between my friends who don’t have children and my friends who do. I’ve leaved the canyon, never sinsing the moment my feet were in the air, only a few closest friends jumping with us as honorary aunts and uncles. Now I understand why I never saw people once they had their children, why they stopped calling, how they disappeared into thin air. I recognized the way the strange wild space grew between us with every step their children took toward solids, toward school, toward adolescence, toward leaving, toward never really being gone. Across the vast chasm, I see my childless friends moving on quickly as I sit here, still sit here, time turning in on itself so I can see both ends of it, beginnings and endings, all wrapping around my fingers. I risk a higher starting point on her head, thinking I’ve worked out most of the knots, but it’s no good. I’m back to the thick tangle, prying the teeth of the comb with it. She turns, looking for something. The cloth has slipped back in the tub. I hand it to her wordlessly. She takes it without a glance and returns to her cups that need filling. My father, a veteran of many wives, always said he would never marry a woman who hadn’t had children. “They are too selfish,” she said. And I wondered, as a single woman in those days, how selfish I was. When he married a woman with three young daughters—my stepsisters—I wondered if he would be able to share her with them. I leaned back for a moment, feeling the dull burn in my back and cleaning the calm out. The fine black hair, slick with the conditioner, but still twisting, coats my fingers as I brush them off onto a paper towel. Stretched out, a single curl is long enough to reach her waist, yet it will bounce back to her shoulder when it’s dry. I’ve never had her hair cut, nervous that the metal will somehow break the bonds of this miracle flowing from her crown. Before they were born, I never really noticed children; before now, when I meet them as I’m out on my own in an office, when someone brings her son in a store. When four-year-olds bounds into my path, I stop purposely. I kneel before them, look into their eyes and say hello. They smile, usually recognizing some universal quality I’ve gained, or maybe I just look silly, crouching like a frog. All the tangles are out, and I take great pleasure in running the comb through her hair again and again, separating strands into perfect spirals. She looks up at me. ‘Ah, done? No, never. Yes, baby, all.’

00:09:58
Speaker 4: Done. And what a beautiful piece of writing. She didn’t know or see children before she had her own. She talked about that chasm between, well, people who have kids and people who don’t, and what a chasm it is. Went to Persepio’s story about herself, her motherhood moments, the most precious moments, and.

00:10:26
Speaker 1: Her own in the end growth in patience and love. Another motherhood story. Another mother’s story. Here on our American Stories.